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Bouncing Back. (cover story)Navigation: Main page Author: Newman, Melinda Section: MusicROCK
It's Been A While, But Edie Brickell Is Taking Another Shot It's a familiar story: Teenage girl signs major-label contract. Naive and unsure of how to navigate the system, she and her band make an album that reflects the producer's vision much more than their own. To add further insult, the drummer gets tossed for someone who keeps better tempo. The album goes on to become a worldwide sensation, but success is bittersweet for the group. The follow-up sells poorly. Finally, on the band's third effort, the group has the chance to get it rightâ€"18 years after its debut. That, in a nutshell, is the story of Edie Brickell & New Bohemians. "Stranger Things," the first album from the group since 1990's "Ghost of a Dog," comes out July 25 on Fantasy. It is the first new recording by a pop act on the imprint in 25 years, as well as the first by the group to feature original New Bohemians drummer Brandon Aly. Brickell and Aly are joined by guitarist Kenny Withrow, bassist Brad Houser, keyboardist Carter Albrecht and percussionist John Bush. Produced by the band and Bryce Goggin, "Stranger Things" is a loose-limbed, joyful excursion. It features Brickell, who turned 40 this year, leaving far behind the girlish winsomeness of the first two records, while her voice loses none of its considerable charm. Tracks such as "Buffalo Ghost" would sound at home on the previous projects, but much of the album adopts the languid, jam-band tone she and her bandmates wanted from the start. "We were aching to make the record we always wanted to make," Brickell says in her first interview about the new project. The band's manager, Carla Sacks, brought the nearly finished album to Concord, which purchased Fantasy in late 2004. "The idea of [Brickell] working with New Bohemians again was really enticing," Concord senior VP of strategic marketing Robert Smith says. "The nature of the songs and the way she sings seems to fit a contemporary audience." Concord serviced the track "One Last Time" to triple-A, noncommercial and college radio the week of May 22. The campaign will also focus on media, touring and print advertising. "This is an artist where word-of-mouth really counts," Smith says. "The expectation is not that the album will achieve its pinnacle the first week and hover; it's going to come out and build." LOOKING BACKBrickell has no bitterness when she talks about 1988's "Shooting Rubberbands at the Stars," which featured the massive hit "What I Am" but saw no strong follow-up success. "There are no regrets, simply a sense of unfulfillment," she says. "We had to replace our original drummer with Matt Chamberlain, who was also our friend, but it broke our hearts to experience the dream without him," she says. "We were known and accepted, but we were altered and weren't known as the jam band that we ultimately were. We didn't stand up and press for what we wanted. It was like, 'Yes, boss.' " Although it has been 16 years since the last New Bohemians record, the band members have never been out of each other's sights for long. "When I moved to New York [from Texas], I'd go home every three or four months and every winter until my kids started school and we'd all get together and jam," says Brickell, who married Paul Simon in 1992. "We'd write songs every time, so we just had this big collection. We just kept having this long-distance affair." Though "What I Am" became a hit around the world, New Bohemians, collectively, and Brickell as a solo artist, have had low sellers other than the double-platinum "Shooting Rubberbands at the Stars"â€"especially given the fame Brickell achieved. "Ghost of a Dog" has sold 177,000 in the United States since the 1991 bow of Nielsen SoundScan. Brickell's first solo album, 1994's "Picture Perfect Morning," has sold 274,000, while her last effort, 2003's "Volcano," has scanned 65,000 units. Regardless of what happens commercially with "Stranger Things," Brickell says the last thing she wants is the kind of attention she received after "Shooting Rubberbands at the Stars." "I stepped right into an MTV culture," she says of that time. "People yelling my name while I'm singing a song was really embarrassing. What am I supposed to do? Wave and smile? You want the acknowledgment from someone you've seen on TV. I don't know how to be that person." PHOTO (COLOR) PHOTO (COLOR) PHOTO (COLOR) PHOTO (COLOR) PHOTO (COLOR) PHOTO (COLOR) ~~~~~~~~ By Melinda Newman in the Fair Use guidelines of the 1976 U.S. Copyright Act. info [at] singlearticles.com Powered by CommonSense |
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